Today we’d like to introduce you to Dusan Simic.
Hi Dusan, so excited to have you with us today. What can you tell us about your story?
My story really started with a love for storytelling, music, technology, and visual media. I always believed that great creative work should not only belong to major studios or big-budget companies. That idea eventually became the foundation for 2immersive4u.
We started in Northeast Ohio, in the Cleveland area, with a focus on music videos, 180 and 360 content, animation, and emerging technology. Over time, we saw how AI could completely change the production process. So we began building workflows that combined human creativity with AI, VR, animation, music, and cinematic production.
That is how 2immersive4u grew into what it is today: a tech media studio helping artists, businesses, brands, and organizations create high-quality visual content faster and more affordably. We have worked on everything from marketing videos and music videos to animated projects and immersive experiences.
For me, the journey has always been about pushing creative boundaries. I’m proud that a company from Cleveland can compete on a national level, win industry recognition, and show that emerging technology can give local artists and businesses access to world-class visuals. Today, we are still building, still experimenting, and still proving that AI is not here to replace creativity. It is here to help more people bring their ideas to life.
Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?
No, it definitely has not been a smooth road. I came to Ohio from Serbia, so I had to build everything from the ground up. New country, new market, new people, new expectations. That alone teaches you a lot about patience, discipline, and survival.
One of the biggest struggles was proving myself. When you are building something creative and technology-driven, especially outside of the traditional major markets, people do not always understand the vision right away. With 2immersive4u, we were working with VR, 360 video, animation, and later AI before many people fully understood how powerful those tools could become.
There were also the normal struggles of entrepreneurship: limited resources, long hours, taking risks, and trying to create national-level work from a local market. But those challenges shaped the company. They forced us to become more creative, faster, and more resourceful.
Looking back, I think the difficult road became part of the identity of 2immersive4u. We are proof that you do not have to be in Los Angeles or New York to create high-quality, forward-thinking media. You can start in Ohio, work hard, use emerging technology, and still compete at a very high level.
Thanks – so what else should our readers know about your work and what you’re currently focused on?
I’m a CEO and Creative Director in 2immersive4u.
We just recently got nominated in 2 Emmy Categories – Composition/Arrangement for Somewhere to Hide https://escape.ai/watch/694472ce248e4d6a6b386b97 and Technological Achivement – Evolution of Generative Pipelines – Character Consistency.
2immersive4u has more then 60 awards (Telly, Communicator, W3), two international Collision Awards & Dreamina x ESC AI Brave New Begginings.
I think what set us appart is our patent – Systems for Generating Dynamic Panoramic Video content that was Patent of the Month in Ohio in February https://www.swansonreed.com/patent-of-the-month/ohio/2026-02/.
I am also a creator on Escape AI platform for emerging artists made by John Gaeta (Bullet time effect in Matrix trilogy).
What sort of changes are you expecting over the next 5-10 years?
I think the media and entertainment industry is going to change dramatically over the next 5 to 10 years. The biggest shift will be the combination of human creativity with AI, immersive media, animation, and real-time production tools.
AI is already making production faster, but I do not believe it replaces the artist. I believe it gives artists, small studios, musicians, and local businesses access to tools that used to belong only to major studios. That is a major change. It means a small creative team in Cleveland can produce cinematic content that competes with work coming out of Los Angeles, New York, or anywhere in the world.
I also think immersive content will become more normal. People will not always need a headset. They will experience 180, 360, interactive, and AI-driven content on phones, TVs, social platforms, and streaming channels. The screen will become more personal, more interactive, and more visual.
Hybrid models.
Contact Info:
- Website: https://2immersive4u.com/
- Instagram: https://www.instagram.com/2immersive4u/
- Facebook: https://www.facebook.com/2Immersive4U
- LinkedIn: https://www.linkedin.com/company/2immersive4u/
- Twitter: https://x.com/2immersive4u
- Youtube: https://www.youtube.com/@2immersive4u
- Other: https://escape.ai/@ducmaster5000


